Clemena Antonova is an art historian with a specialization in the art of the icon and Russian critiques of the medieval image with a focus on Pavel Florensky. Her D.Phil. thesis at Oxford University was published as a book, entitled Space, Time, and Presence in the Icon: Seeing the World with the Eyes of God, (Ashgate, UK, 2010). Her second book is Visual Thought in Russian Religious Philosophy: Pavel Florensky’s Theory of the Icon, (Routledge, 2019). Her articles have come out in journals such as Leonardo, Sobornost, Slavonica, etc. Clemena recently completed a research fellowship at the Morphomata Centre at the University of Cologne. At present, she is the Research Director of the Eurasia in Global Dialogue Programme at the Institute for Human Sciences in Vienna.