New Name

New Name

Dear friends and members of the Russian(?) Art & Culture Group,

Inspired by the lively discussions during the Tenth Graduate Workshop, we are pleased to announce the new name of the group: “Russian Art & Culture Reconsidered(RACR).

As an active group and network, we wish to keep the main focus on Imperial Russian and Soviet art and culture. In doing so, we hope to contribute to a critical re-evaluation of this research field, highlighting that this is an ongoing process. More specifically, the new name reflects the processes of re-reading Russo-centric narratives, re-evaluating the various cultures in the territory of the former Soviet Union, and critically investigating the blind spots and marginalized areas of Imperial Russian and Soviet art and culture – phenomena, artists, and institutions that have previously been neglected.

The RACR group will proceed with organizing workshops and publishing its outcomes, as well as expanding its network by inviting new participants. Furthermore, we would like to test new formats of collaborative work (e.g. online seminars and reading groups) to identify relevant topics and encourage conversation, exchange, and further investigation. More details on our forthcoming projects will be presented in the new year. We are very much looking forward to your participation and support.

 

Warmest wishes for a Merry Christmas and a Happy New Year!

Your RACR team

Forthcoming Tenth Graduate Workshop in Bremen

Forthcoming Tenth Graduate Workshop in Bremen

We would like to draw your attention to the forthcoming tenth anniversary workshop of the Russian(?) Art & Culture Group, which will be held at Constructor University in Bremen on September 27 and 28, 2024.

The ongoing Russian war against Ukraine has caused a deep crisis of scholarship. Taking this as a point of departure, the goal of the tenth workshop of the Russian(?) Art & Culture Group is to find appropriate terms, approaches, and strategies that offer new insights into Imperial Russian and Soviet art and culture in order to contribute to the ongoing debates regarding the future of scholarship in this field of research.

We are already looking forward to interesting presentations, the keynote talk by Konstantin Akinsha on The History of Art in the Shadow of War: On the Necessity of Revising the Narrative of Russian/Soviet Modernism and the roundtable discussion focussing on the question What Is “Russian” Art and Culture? with Louise Hardiman, Maria Silina, and Konstantin Akinsha. See program and booklet for more details.

Should you be insterested in participating, please register by September 22, 2024, at workshop@russian-art.net.

Methods Workshop, September 28

Methods Workshop, September 28

We would like to invite you to the forthcoming Methods Workshop within the the framework of the research collaboration between the Research Centre for East European Studies (Forschungsstelle Osteuropa – FSO) at Bremen University and the Russian Art & Culture Group (RACG) at Constructor University. 

Date: Thursday, September 28, 2023, from 10:30 to 16:30.

Location: Meeting Room 49 in Research IV, Constructor University or online via TEAMS.

Organizers: Natalia Fedorenko, Irina Riznychok, and Georgi Sokolov.

 

The Workshop Program will be the following:

1. Multiple modernisms — morning session, 10:30 to 12:00. Presenter: Irina Riznychok, Respondent: Kristian Handberg
Text for Discussion: Terry Smith, “Art History’s Work-in Pro(re)gress – Reflections on the Multiple Modernities Project,” in New Histories of Art in the Global Postwar Era,” ed. Flavia Frigeri and Kristian Handberg, London: Routledge, 2021, pp. 12-23.

2. Actor-network theory — early afternoon session, 13:00-14:30. Presenter: Georgi Sokolov, Respondent: Elena Korowin
Text for Discussion: Gundela Hachmann, “Network Analysis in Literature and the Arts. Rethinking Agency and Creativity,” Journal of Literary Theory, volume 17, issue 2 (September 2023): 221-240.

3. Gender  — late afternoon session, 15:00-16:30. Presenter: Natalia Fedorenko, Respondent: Klavdia Smola
Text for Discussion: Kladvia Smola, “Speaking Outlaw: Performing Masculinity in Soviet Underground Culture” (2023).

Please ask the organisers for the pdf files of the texts and the links for the TEAMS sessions via e-mail: Natalia Fedorenko, Irina Riznychok, and Georgi Sokolov.

We are looking forward to seeing some of you at the workshop!

 

Call for Applications

Call for Applications

We would like to draw your attention to the following Call for Applications for non-German researchers.

Call for Applications

Henriette Herz Scouting Program, Alexander von Humboldt Fellowship (second round) https://www.humboldt-foundation.de/en/apply/sponsorship-programmes/henriette-herz-scouting-programme

The program is specifically geared towards supporting promising young female researchers and junior scholars from regions which are usually not well represented in the Western academic mainstream. I am specifically looking for young female researchers from Central and Eastern Europe, the Baltics or Caucasus, the Near East, Central Asia, or Siberia, etc. who work on global modernism, abstraction, artists’ networks, and the like.

Selection criteria for the program:
• doctorate completed within the last 4 years (postdocs) or 12 years (researchers) • above-average publication record commensurate with career level (academic context will be considered) • no post-doctoral research stays after completing doctorate in Germany (conference participation is OK)  no degrees completed in Germany • no German citizenship • no previous applications nor previous sponsorship in any of the AvH fellowship programmes • good knowledge of German or English, depending on research proposal — Constructor University is an English-language university • the research fellowship should commence within 12 months of being granted • duration 24 months for postdocs, 18 months for researchers

 

Application materials: CV (no more than 2 pages), list of publications, research proposal (2-3 pages), and names/contacts of two references

Application deadline: July 31, 2023

Please send your application materials to iwuensche@constructor.university

Potential candidates will be invited to a workshop in September 2023.

 

Prof. Dr. Isabel Wünsche
Professor of Art History

Constructor University
Campus Ring 1
28759 Bremen
Germany

 

Kunst und Revolution – 3. April 2023

Kunst und Revolution – 3. April 2023

We would like to draw your attention to the forthcoming event “Kunst und Revolution. Parallelaktion Berlin-Moskau 1922” on April 3, 2023.

Isabel Wünsche, the initiator of the Russian Art & Culture Group and co-editor of the edited voulume “100 Years On: Revisiting the First Russian Art Exhibition of 1922,” will discuss the impact of the Berlin exhibition of 1922 with Dr. Christian Hufen whose research in Moscow enriched the current special exhibition “1922 – George Grosz reist nach Sowjetrussland” at the Grosz Museum in Berlin.

The event will take place on Monday, April 3, 2023, at 18:00 at Das kleine Grosz Museum, Bülowstraße 18, 10783 Berlin. The Grosz Museum Berlin kindly asks for registration via e-Mail (office@daskleinegroszmuseum.berlin). 

The discussion will be in German. See the German announcement for more  information.

Publication on the First Russian Art Exhibition of 1922 out now

Publication on the First Russian Art Exhibition of 1922 out now

The publication 100 Years On: Revisiting the First Russian Art Exhibition of 1922 is finally published! It is now available as hard cover print and as e-book.

The editors and active members of the Russian Art & Culture Group, professor Isabel Wünsche and Miriam Leimer, are grateful for the generous support by SHERA – the Society of Historians of East European, Eurasian, and Russian Art and Architecture, Inc. – awarding this volume with the Publication Grant 2022.

On almost 300 pages with 180 reproductions of artworks, photographs, and historic documents the compiled volume is focusing on the Berlin First Russian Art Exhibition of 1922. Participants of last year’s International Conference in Berlin and other experts in the field provided intriguing material and new insights.

We definitely agree with the description of the publishing house Böhlau that “the combination of longer, thematic essays and short features, along with reproductions of newly identified works and a selection of unpublished archival materials make this book valuable to both a scholarly and a general readership.”

We highly recommend this intriguing publication and hope that you will enjoy it as much as we do!